Sunday, February 12, 2012



TANGO MUSIC APPRECIATION and INTERPRETATION WORKSHOP
Wednesday February 15 at 2PM EST
Wednesday February 29 at 2PM EST



with Argentine Tango dance instructor
Helaine Treitman
You don’t have to dance Argentine tango to love tango music! In this exciting workshop, Argentine tango dancer Helaine Treitman will show you how to develop a heightened sensitivity to the structures and nuances of tango music. Participants will listen actively, rather than passively, marking the music by snapping fingers or tapping feet, as you learn to interpret the music. 

Tango music originated in the Rio de la Plata area of Argentina, where millions of people listened to it growing up – on the kitchen radio, in clubs, at weddings and family parties.  Tango has since become an international phenomenon – with a worldwide community of tango-lovers who find this music magical. This series will explore some of the reasons why!

Love to a Tango Angel

I had chosen not to write to you about it when it happened, because the air in the tango community was so heavy with sadness; that's not what I wanted to give you in my messages.  If you've watched the videos I often send, or if you're already an avid tanguero or tanguera, you know of internationally admired and adored tango artist, Andrea Misse'. On January 2, 2012, this beautiful diva died in an automobile accident in Argentina.  Many tango people are still using a black ribbon image for their avatar on Facebook, as a gesture of solidarity with everyone who loved or still loves Andrea.  However, the Facebook comment that day of Patricia Garcia, widow of my late "maestro", Nestor Ray, gave me a way to receive this news not as a tragedy but as a transition:  "Andrea is now dancing among the angels".  Honestly, when I took my barefoot beach walks after sunset and sometimes saw stars sparkling in a clear sky, I thought "Yes, there she is.  That's Andrea sparkling." 

Andrea left behind a legacy of her life’s work in videos, so she’ll inspire us for many years.

My friend and colleague, Alberto Paz, put together this video montage of Andrea's career, starting, it seems, almost 20 years ago.  The second half of this half-hour collection is with her last partner, the great Javier Rodriguez, and I believe that here she shone brightest.  Please take some time to enjoy this homage, and share my love of this tango angel.



Thank you, Alberto Paz, for this half-hour homage to our beloved Andrea.

Monday, February 06, 2012

Contribute to the making of this documentary!


In cased you missed it:  We're famous!

Here again is the Naples Tango segment of Keith Famie's documentary film, "The Embrace of Aging - the male perspective of growing old",  starring our own Matt Grasso and Eph and Helen Shulman, with special appearance by Alla Peluchiwski, and exerpts from Keith's interview with me.  Just click on the link (or cut and paste into your browser):


You can watch the trailer for the whole film, by clicking on the "Embrace of Aging" icon in the lower left of our tango segment page at the above address.  Or use this link:  http://embraceofaging.com/embrace_male.html

Keith has sent the tango segment to actor and tango "apasionado" Robert Duvall to entice him to also be interviewed in the tango part of the film!

I think that Matt, Eph, Helen and Alla were all marvelous in this piece!  

Contribute to the making of this film!
Keith has asked me to reach out to our community to support his new documentary.  If you or your business would like to become a sponsor or a smaller contributor to "The Embrace of Aging - the male perspective of growing old" (sponsorships levels range from $500 - $25,000, but donations of any size are welcome), you can contribute directly and immediately by sending your check to:

Visionalist Entertainment Productions
28345 Beck Rd. Ste. 404
Wixcom, MI  48393
(USA)

Include with your check the following information:
Name, address, phone, email.
You'll receive a donation receipt for your tax reporting.  

For additional information, call 284-869-0096.

If you'd like to become a significant sponsor, contact Keith Famie at famie@famie.com or call 284-869-0096.

Why I stubbed my toe, and what it means to you


Last Friday afternoon, I learned a lesson when I stubbed my toe. It's a lesson that I teach others, and that ties in well with my feature article for today.  Please don't cringe; I didn't stub my toe on some hidden furniture leg.  There were no hard surfaces.  I stubbed my fourth toe on the carpet.  Can you imagine that?  

I had been doing my Friday writing at home, lost track of time, and then realized that I had only one hour to get an important errand done before the weekend. I rushed to freshen up and change my clothes, and while I was moving in one direction, barefoot, to grab a sweater, I suddenly had an idea that I wanted to make sure I remembered, so I changed directions abruptly, mid-walk, to go to the dresser and write it down on an index card.

Turning mid-walk on my left leg, in the opposite direction of where my weight had been heading, I naturally lost my balance and caught my weight clumsily on my right foot. My fourth toe jammed in the pile of the carpet.  I'm lucky I didn't do worse!  But as I always say, dancers and other people who have a good command of their balance usually manage to save themselves from many common injuries. But still - c'mon, Helaine! (As in "YOU should know better than that."  And I should!)  The bruise didn't show up till the next day, but it was sore! Of course I still managed to take my Friday evening barefoot beach walk, and have my pedicure Saturday morning.  :)

Why did this happen, and what can we all learn from my goofy move?  

The only way I know of for us humans to safely turn is when we are "in axis" - that is, with our central vertical line truly vertical.  On one foot, on both feet - it doesn't matter. That means that our vertical axis remains still, in one fixed place, until the turn is complete. Conversely, a WALKING STEP is the transition between the old location of our axis and its new location.  (Is this follow-able?  I'll put it on my list of things to demonstrate in video on TangoMojoTV.)  

Painting by Saretta Wool

I always underscore to my students:  "a pivot and a walk are by definition two separate moments". When we try to transition (walk), while we are turning (pivot or similar), we throw a wrench into our body's physics.  Can't do it without consequences. Those consequences could be falling or almost falling (in my case, stubbing a toe), or a tango man's stepping on the lady's foot, or his forcing the lady to lose her balance by leading her to walk while she's still pivoting (so common!).

You can explore this concept, at your own risk, to see if you agree!  Experiment with moving, slowly stopping, and pivoting to change direction on one or both feet, and observe your own axis as you turn.  Where is your weight when you feel most stable turning?  Next try turning mid-step, but be careful!! Look what happened to me:  a blue toe!

A Man Makes a Decision


One of my star students surprised me last week at his private lesson when he started each of his tangos with a side-to-side rocking step.  I asked him what was the purpose of the new move.  He said he had seen several people at a recent milonga doing this, and he thought it was a nice way to get in sync with the lady and with the music at the beginning of a tango.  What he didn't realize was that he was already way beyond using this method to start his tango; in fact he's been starting his tangos like an expert for over a year.  


Cool tango man, professional Oliver Kolker

This new move that he had learned from peers put him momentarily back in the kiddy pool.  My student didn't need a rocking step to connect with his partner and with the music. He learned even as a beginner to listen carefully to the beginning of the song, then embrace his partner (having already understood the rhythm), shift her weight to liberate the foot with which he wants her to walk, do a subtle preparatory gesture with his knees and upper body to prepare her to go, and in the second that he feels they're both ready and the music calls him, he goes without hesitation.

A tango man doesn't need to rock to back and forth, making his partner rock back and forth with him, so that they can synchronize while he figures out the rhythm.  A man focuses, listens, observes and evaluates in silence, then he makes ONE decision and takes action. Period.  He might do an embellishment  to the music while he's listening and waiting for his moment to launch, but his weight stays solidly in one place until he starts his tango.

Just look at the beginnings of many of the videos I've placed on this blog. Watch how all the tango heroes we admire begin their tangos.  No rocky-rocky.  They do just what I have described to you!

When you're stable, calm and decisive, from the start of your tango through the end, you'll maintain your balance, dance more competently and not have moments of panic, nor collisions on the dance floor.

Would you like to know what I think of a man's listening, contemplating, and preparing briefly and in silence, then taking decisive action? I think it's sexy.

To all my male readers, if you tend to rock back and forth to start your tango, try this other way I described, and see if it doesn't make you feel more like the kind of man you really are deep down!  Secure, stable and decisive.

Leave your comments below!